Les Ballets Russes de Serge de Diaghilew.

Contributors to this special issue include: the countess de Noailles, Gabriel Astruc, Al. Benois, Maurice Brillant, Robert Brussel, Émile Henriot, Louis Laloy, Larionov, Michel-Georges Michel, Henry Prunières, J. Sazonova, Gilbert de Voisins, and André Warnod.
Drawings and paintings by: Bakst, Benois, Braque, Cocteau, Derain, Dunoyer de Segonzac, Gontcharova, Larionov, Picasso, Utrillo, and others.

Paris, Revue Musicale, 1930.
8vo, 112 pp., [22] l.ill., ill.

In original wrappers and in green cloth slipcase. With errata slip laid in.
In good condition, lightly rubbed, with chipping to wrapper edges.

This special issue of the 'Revue Musicale' is dedicated to the Ballets Russes of Serge Diaghilev, delving into the groundbreaking contributions of this legendary company and its lasting influence on dance, art, and music. Through essays, reflections, and tributes by renowned artists, critics, and collaborators, it offers a vivid portrayal of Diaghilev’s visionary leadership and the cultural legacy of the Ballets Russes.
Key highlights include an essay by Alexandre Benois presenting a personal portrait of Diaghilev, insightful reflections on the company’s origins by Robert Brussel and Gabriel Astruc, and memoirs by Michel Larionov. The text also features Julie Sazonova’s analysis of the choreography in Diaghilev’s ballets, André Warnod’s exploration of collaborations with celebrated painters, and Maurice Brillant’s discussion of the company’s multifaceted influence on modern art and performance. The volume concludes with Henry Prunières’ comprehensive summary of the Ballets Russes’ achievements and their enduring impact.
Includes four color plates of designs by Mikhail Larionov, George Braque, Maurice Utrillo, and Nataliya Goncharova.